IN:\u00a0<\/strong>Partit\u00fara Irodalomtudom\u00e1nyi foly\u00f3irat, Volume: XI. \u00a0, Issue 1, 2016, p. 47-72.,\u00a0ISSN 1336-7307<\/p>\n DOI:\u00a0<\/strong>10.17846\/PA.2016.11.1.47-72<\/p>\n Absztrakt:<\/strong><\/p>\n G\u00e1rdonyi\u2019s novel entitled \u201cIda\u2019s Novel\u201d is absolutely ruled by the outstanding. The story of the main characters is governed by the fundamental existential experience that \u201cthere is always something still outstanding\u201d (Heidegger). Moreover the context and the frame for the story is provided by a very special historical era, when the Hungarian art was made in another country: M\u00fcnchen, Germany. In the essay i would like to demonstarte that it is the outstanding that rules the main constituive processes of the text too. The verbal configuration of many scenes in the novel is inspired by the visual composition of some paintings of the Hungarian art at the turn of the 19th and 20th century.<\/p><\/blockquote>\n