IN:\u00a0<\/strong>Partit\u00fara Irodalomtudom\u00e1nyi foly\u00f3irat, Volume: XII. \u00a0, Issue 1, 2017, p. 33-50.,\u00a0ISSN 1336-7307<\/p>\n DOI:\u00a0<\/strong>10.17846\/PA.2017.12.1.33-50<\/p>\n Abstract:<\/strong><\/p>\n The aim of my paper\u2019s first part is to introduce Magda Szab\u00f3\u2019s \u201csilencing\u201d as a poet (she did not write poems anymore). It reveals the background of (literature) history and her recanonization into the group \u201c\u00fajholdasok\u201d \u2013 the circle of the journal, \u00dajhold. The second part of the paper analyzes the early poems written by Magda Szab\u00f3. These poems are bounded forms, these contain antique cultural context, specific approach to time and space and they have natural analogy. The sonnet form strengthened the desire to get rid of constraints and weight of the war. In this poetry, there is significant autobiographical effect. The main catalyzer of poems are disappointment in adult life, post-war trauma, living in an unstable word, memories. These sonnets are small movements within borders, immature experiments that might be the \u201csymptoms\u201d of the 1940s in Hungary.<\/p><\/blockquote>\n <\/p>\n