{"id":1277,"date":"2018-02-27T10:57:36","date_gmt":"2018-02-27T10:57:36","guid":{"rendered":"http:\/\/www.partitura.fss.ukf.sk\/?page_id=1277"},"modified":"2019-12-09T08:10:28","modified_gmt":"2019-12-09T08:10:28","slug":"gibson-es-heidegger-technika-muveszet-igazsag","status":"publish","type":"page","link":"http:\/\/www.partitura.fss.ukf.sk\/?page_id=1277","title":{"rendered":"Gibson \u00e9s Heidegger (Technika \u2013 M\u0171v\u00e9szet \u2013 Igazs\u00e1g)"},"content":{"rendered":"<h3>Szab\u00f3 Istv\u00e1n Zolt\u00e1n<\/h3>\n<p><strong>IN:\u00a0<\/strong>Partit\u00fara Irodalomtudom\u00e1nyi foly\u00f3irat, \u00c9vfolyam: XII. \u00a0, Sz\u00e1m 2, 2017, 25-38. oldal,\u00a0ISSN 1336-7307<\/p>\n<p><strong>DOI:\u00a0<\/strong>10.17846\/PA.2017.12.2.25-38<\/p>\n<p><strong>Absztrakt:<\/strong><\/p>\n<blockquote><p>Ebben a tanulm\u00e1nyban a heideggeri \u00e9s a gibsoni technikafogalmat hasonl\u00edtom \u00f6ssze. Ennek sor\u00e1n egyfel\u0151l a t\u00e9m\u00e1ban tal\u00e1n legfontosabb Heidegger-tanulm\u00e1nyt haszn\u00e1lom (K\u00e9rd\u00e9s a technika nyom\u00e1n), m\u00e1sfel\u0151l William Gibson Sprawl-tril\u00f3gi\u00e1j\u00e1t, amelyet a Neurom\u00e1nc, a Sz\u00e1ml\u00e1l\u00f3 Null\u00e1ra \u00e9s a Mona Lisa Overdrive c\u00edm\u0171 reg\u00e9nyek alkotnak. Heidegger \u00e9s Gibson egyar\u00e1nt haszn\u00e1lj\u00e1k a m\u0171v\u00e9szet \u00e9s az igazs\u00e1g fogalm\u00e1t a technik\u00e1r\u00f3l sz\u00f3l\u00f3 elm\u00e9let\u00fck megalkot\u00e1sa folyam\u00e1n, minthogy a technika \u00e9s a m\u0171v\u00e9szet k\u00fcl\u00f6nb\u00f6z\u0151 utakat k\u00e9peznek a vil\u00e1g megismer\u00e9s\u00e9hez \u00e9s az igazs\u00e1g felt\u00e1r\u00e1s\u00e1hoz. A tanulm\u00e1ny ezen fogalmak egym\u00e1shoz val\u00f3 viszony\u00e1t kutatja. A defin\u00edci\u00f3k m\u00f6g\u00e9 pillantva megk\u00eds\u00e9rli megmutatni, hogyan m\u0171k\u00f6dnek ezek a fogalmak a nyugati kult\u00far\u00e1kban.<\/p><\/blockquote>\n<p><a href=\"http:\/\/www.partitura.fss.ukf.sk\/wp-content\/uploads\/2018\/02\/ziszabo2017_2.pdf\"><strong>Teljes sz\u00f6veg<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Szab\u00f3 Istv\u00e1n Zolt\u00e1n IN:\u00a0Partit\u00fara Irodalomtudom\u00e1nyi foly\u00f3irat, \u00c9vfolyam: XII. \u00a0, Sz\u00e1m 2, 2017, 25-38. oldal,\u00a0ISSN 1336-7307 [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages\/1277"}],"collection":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1277"}],"version-history":[{"count":4,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages\/1277\/revisions"}],"predecessor-version":[{"id":1568,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages\/1277\/revisions\/1568"}],"wp:attachment":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}