{"id":1308,"date":"2018-02-27T11:37:54","date_gmt":"2018-02-27T11:37:54","guid":{"rendered":"http:\/\/www.partitura.fss.ukf.sk\/?page_id=1308"},"modified":"2023-04-26T08:16:30","modified_gmt":"2023-04-26T08:16:30","slug":"gibson-and-heidegger-technology-art-truth","status":"publish","type":"page","link":"http:\/\/www.partitura.fss.ukf.sk\/?page_id=1308","title":{"rendered":"Gibson and Heidegger (Technology \u2013 Art \u2013 Truth)"},"content":{"rendered":"<h3>Zolt\u00e1n Istv\u00e1n Szab\u00f3\u00a0<\/h3>\n<p><strong>IN:\u00a0<\/strong>Partit\u00fara Irodalomtudom\u00e1nyi foly\u00f3irat, Volume: XII. \u00a0, Issue 2, 2017, p. 25-38.,\u00a0ISSN 1336-7307<\/p>\n<p><strong>DOI:\u00a0<\/strong>10.17846\/PA.2017.12.2.25-38<\/p>\n<p><strong>Abstract:<\/strong><\/p>\n<blockquote><p>In this paper, I compare the Heideggerian and the Gibsonian concept of technology. During the comparison, I use one of the most important study of Heidegger on this topic: The Question Concerning Technology. On the other hand, the matter of comparison is the Sprawl trilogy of William Gibson which is composed of Neuromancer, Count Zero, and Mona Lisa Overdrive novels. In devising their theories of technology both Heidegger and Gibson use the concept of art and truth as technology and art are different ways to recognize the world and to unveil the truth. This study is scrutinizing the relationship between these concepts. It tries to go beyond definitions and discovers how these concepts are working in Western cultures.<\/p><\/blockquote>\n<p><strong>Keywords:<\/strong> Martin Heidegger, William Gibson, technology, cyberpunk, Sprawl, art, conceptual art, truth, AI<\/p>\n<p><strong><a href=\"http:\/\/www.partitura.fss.ukf.sk\/wp-content\/uploads\/2018\/02\/ziszabo2017_2.pdf\">Whole Issue<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Zolt\u00e1n Istv\u00e1n Szab\u00f3\u00a0 IN:\u00a0Partit\u00fara Irodalomtudom\u00e1nyi foly\u00f3irat, Volume: XII. \u00a0, Issue 2, 2017, p. 25-38.,\u00a0ISSN 1336-7307 [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages\/1308"}],"collection":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1308"}],"version-history":[{"count":5,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages\/1308\/revisions"}],"predecessor-version":[{"id":3698,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages\/1308\/revisions\/3698"}],"wp:attachment":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}