{"id":1330,"date":"2018-02-27T11:52:35","date_gmt":"2018-02-27T11:52:35","guid":{"rendered":"http:\/\/www.partitura.fss.ukf.sk\/?page_id=1330"},"modified":"2023-04-26T08:20:23","modified_gmt":"2023-04-26T08:20:23","slug":"1330-2","status":"publish","type":"page","link":"http:\/\/www.partitura.fss.ukf.sk\/?page_id=1330","title":{"rendered":"The Ways of al\u00e9theia in B\u00e9la Hamvas\u2019s Writings"},"content":{"rendered":"<h3>Anik\u00f3 Kurucz\u00a0<\/h3>\n<p><strong>IN:\u00a0<\/strong>Partit\u00fara Irodalomtudom\u00e1nyi foly\u00f3irat, Volume: XII. \u00a0, Issue 2, 2017, p. 85-102.,\u00a0ISSN 1336-7307<\/p>\n<p><strong>DOI:\u00a0<\/strong>10.17846\/PA.2017.12.2.85-102<\/p>\n<p><strong>Abstract:<\/strong><\/p>\n<blockquote><p>The aim of the paper is to reveal the philosophical and linguistic dimensions of the concept of al\u00e9theia, which has Greek and Christian origins. From this aspect it seems inevitable to comparise the concept of the truth in Heidegger and Hamvas. Inspite of the visible parallels, this concept has different organizations in the thinking horizon of the two authors. The al\u00e9theia in Hamvas \u2013 however it has an ontological status \u2013 becomes also the linguistic ground of the attitude to reality, and consequently, it forms the measure of his approach to poetry and his practice of writing.<\/p><\/blockquote>\n<p><strong>Keywords:<\/strong> al\u00e9theia, Hamvas, Heidegger, imagination, realization, pass of the lighting process<\/p>\n<p><a href=\"http:\/\/www.partitura.fss.ukf.sk\/wp-content\/uploads\/2018\/02\/akurucz2017_2.pdf\"><strong>Whole Issue<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Anik\u00f3 Kurucz\u00a0 IN:\u00a0Partit\u00fara Irodalomtudom\u00e1nyi foly\u00f3irat, Volume: XII. \u00a0, Issue 2, 2017, p. 85-102.,\u00a0ISSN 1336-7307 DOI:\u00a010.17846\/PA.2017.12.2.85-102 [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages\/1330"}],"collection":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1330"}],"version-history":[{"count":5,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages\/1330\/revisions"}],"predecessor-version":[{"id":3703,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages\/1330\/revisions\/3703"}],"wp:attachment":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1330"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}