{"id":1420,"date":"2018-09-05T15:00:39","date_gmt":"2018-09-05T15:00:39","guid":{"rendered":"http:\/\/www.partitura.fss.ukf.sk\/?page_id=1420"},"modified":"2023-04-26T08:12:59","modified_gmt":"2023-04-26T08:12:59","slug":"variations-for-desemiotisation-or-the-apotheosis-of-the-method","status":"publish","type":"page","link":"http:\/\/www.partitura.fss.ukf.sk\/?page_id=1420","title":{"rendered":"Variations for desemiotisation or the \u201capotheosis\u201d of the method"},"content":{"rendered":"<h3>P\u00e9ter Suhajda<\/h3>\n<p><strong>IN:\u00a0<\/strong>Partit\u00fara Irodalomtudom\u00e1nyi foly\u00f3irat, Volume XIII. \u00a0, Issue 1, 2018, p. 21-61.,\u00a0ISSN 1336-7307<\/p>\n<p><strong>DOI:\u00a0<\/strong>10.17846\/PA.2018.13.1.21-61<\/p>\n<p><strong>Abstract:<\/strong><\/p>\n<blockquote><p>Desemiotisation is the most significant process for the avant-garde constructivist artist. The term refers to the willingness for eliminating signification. For Lajos Kass\u00e1k it was not only a creative method, but a real and special philosophy, which sets the entire course and direction for a constructive person.<\/p><\/blockquote>\n<p><strong>Keywords:<\/strong> desemiotisation, tautology, metonymy<\/p>\n<p><a href=\"http:\/\/www.partitura.fss.ukf.sk\/wp-content\/uploads\/2018\/11\/Partitura-2018-01-02.pdf\"><strong>Whole issue<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>P\u00e9ter Suhajda IN:\u00a0Partit\u00fara Irodalomtudom\u00e1nyi foly\u00f3irat, Volume XIII. \u00a0, Issue 1, 2018, p. 21-61.,\u00a0ISSN 1336-7307 DOI:\u00a010.17846\/PA.2018.13.1.21-61 [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages\/1420"}],"collection":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1420"}],"version-history":[{"count":6,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages\/1420\/revisions"}],"predecessor-version":[{"id":3693,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages\/1420\/revisions\/3693"}],"wp:attachment":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}