{"id":1426,"date":"2018-09-05T15:10:03","date_gmt":"2018-09-05T15:10:03","guid":{"rendered":"http:\/\/www.partitura.fss.ukf.sk\/?page_id=1426"},"modified":"2023-04-26T08:09:55","modified_gmt":"2023-04-26T08:09:55","slug":"a-chapter-from-the-poetics-of-central-european-humour-geza-gardonyis-spirit-of-laughter","status":"publish","type":"page","link":"http:\/\/www.partitura.fss.ukf.sk\/?page_id=1426","title":{"rendered":"A Chapter from the Poetics of Central European Humour: G\u00e9za G\u00e1rdonyi\u2019s \u201cSpirit of Laughter\u201d"},"content":{"rendered":"<h3>\u00c1rp\u00e1d Kov\u00e1cs<\/h3>\n<p><strong>IN:\u00a0<\/strong>Partit\u00fara Irodalomtudom\u00e1nyi foly\u00f3irat, Volume XIII. \u00a0, Issue 2, 2018, p. 3-21.,\u00a0ISSN 1336-7307<\/p>\n<p><strong>DOI:\u00a0<\/strong>10.17846\/PA.2018.13.2.3-21<\/p>\n<p><strong>Abstract:<\/strong><\/p>\n<blockquote><p>The study raises the problems of interpretation in light of the following topics: The differentiation between humour and irony. The views of Bergson, Dostoevsky and Kierkegaard. G\u00e9za G\u00e1rdonyi\u2019s specific concept: the lyrical and satirical modalities of humour in his art. The pretty and the ugly; laughter and smile; verbal and non-verbal formulas. The viewpoint of a child in the act of laughter; its characteristics in the areas of plays and arts. The identity regarding humour. The laughing mouth and smiling eyes in g\u00e1rdonyi\u2019s writing. The eyes of the partner in silence and in dreams. F\u00e1rdonyi\u2019s note-books: an experiment for the reconstruction of anthropological, aesthetic and poetic concepts.<\/p><\/blockquote>\n<p><strong>Keywords:<\/strong> culture of laughter, humour, irony, inverse perspective, prose language identity<\/p>\n<p><a href=\"http:\/\/www.partitura.fss.ukf.sk\/wp-content\/uploads\/2018\/11\/Partitura-2018-02-01.pdf\"><strong>Whole issue<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00c1rp\u00e1d Kov\u00e1cs IN:\u00a0Partit\u00fara Irodalomtudom\u00e1nyi foly\u00f3irat, Volume XIII. \u00a0, Issue 2, 2018, p. 3-21.,\u00a0ISSN 1336-7307 DOI:\u00a010.17846\/PA.2018.13.2.3-21 [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages\/1426"}],"collection":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1426"}],"version-history":[{"count":8,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages\/1426\/revisions"}],"predecessor-version":[{"id":3688,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages\/1426\/revisions\/3688"}],"wp:attachment":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1426"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}