{"id":3078,"date":"2020-01-08T16:20:30","date_gmt":"2020-01-08T16:20:30","guid":{"rendered":"http:\/\/www.partitura.fss.ukf.sk\/?page_id=3078"},"modified":"2023-04-26T07:58:23","modified_gmt":"2023-04-26T07:58:23","slug":"a-temeto-heterotopiaja-a-szarajevoi-muszlim-temetok-kozep-europai-szemszogbol-2","status":"publish","type":"page","link":"http:\/\/www.partitura.fss.ukf.sk\/?page_id=3078","title":{"rendered":"A temet\u0151 heterot\u00f3pi\u00e1ja \u2013 A szarajev\u00f3i muszlim temet\u0151k k\u00f6z\u00e9p-eur\u00f3pai szemsz\u00f6gb\u0151l"},"content":{"rendered":"<h3>P\u00e1l Sz\u00e1z<\/h3>\n<p><strong><span style=\"color: #666666;\">IN:\u00a0<\/span><\/strong><span style=\"color: #666666;\">Partit\u00fara Irodalomtudom\u00e1nyi foly\u00f3irat, Volume XIV. \u00a0, Issue 2, 2019, p. 37-64.\u00a0,\u00a0ISSN 1336-7307<\/span><\/p>\n<p><strong>DOI:\u00a0<\/strong>10.17846\/PA.2019.14.2.37-64<\/p>\n<p><strong>Abstract:<\/strong><\/p>\n<blockquote><p>This paper is partial outcome of the research of generically heterogeneous corpus of texts written about Bosnia-Hercegovina during the Austro-Hungarian rule (1878\u20131918) in non-German (which means less hegemonic) languages \u2013 so in Hungarian and Czech. This study examines the heterotopia of the cemetery, more precisely, the description and view of the Muslim cemeteries in Sarajevo within the mentioned corpus. As Michel Foucault pointed out, the heteropia is constructed by culture, these descriptions are thematizing not only spacial experience but also the meeting with the other culture. These hetero-images can be found in the ethnographic work of Adolf Strausz and the travelogue R\u016f\u017eena Svobodov\u00e1, which are compared with the similar descriptions of the domestic authors, so the self-images in the travel writings of Ivo Andri\u0107 and one article of Husein Tahmi\u0161\u010di\u0107.<\/p><\/blockquote>\n<p><strong>Keywords:<\/strong> Bosnia and Herzegovina, South-Slavic literature, imagology, heterotopia<\/p>\n<p><a href=\"http:\/\/www.partitura.fss.ukf.sk\/wp-content\/uploads\/2020\/01\/Partitura2019_02_37-64.pdf\"><strong>Whole issue<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>P\u00e1l Sz\u00e1z IN:\u00a0Partit\u00fara Irodalomtudom\u00e1nyi foly\u00f3irat, Volume XIV. \u00a0, Issue 2, 2019, p. 37-64.\u00a0,\u00a0ISSN 1336-7307 DOI:\u00a010.17846\/PA.2019.14.2.37-64 [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages\/3078"}],"collection":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3078"}],"version-history":[{"count":3,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages\/3078\/revisions"}],"predecessor-version":[{"id":3669,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages\/3078\/revisions\/3669"}],"wp:attachment":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3078"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}