{"id":719,"date":"2015-09-25T10:18:51","date_gmt":"2015-09-25T10:18:51","guid":{"rendered":"http:\/\/www.partitura.fss.ukf.sk\/?page_id=719"},"modified":"2019-12-09T08:10:36","modified_gmt":"2019-12-09T08:10:36","slug":"weores-and-psyche-in-21st-century-readings","status":"publish","type":"page","link":"http:\/\/www.partitura.fss.ukf.sk\/?page_id=719","title":{"rendered":"We\u00f6res and Psyche in 21st Century Readings"},"content":{"rendered":"<h3>Csilla Moln\u00e1r<\/h3>\n<p><strong>IN:\u00a0<\/strong>Partit\u00fara Irodalomtudom\u00e1nyi foly\u00f3irat, Volume: IX. \u00a0, Issue 1, 2014, p. 89-100,\u00a0ISSN 1336-7307<\/p>\n<p><strong>DOI:\u00a0<\/strong>10.17846\/PA.2014.9.1.89-100<\/p>\n<p><strong>Abstract<\/strong><\/p>\n<blockquote><p>S\u00e1ndor We\u00f6res is not a single act but a progress. It is an important aspect of\u00a0my analysis that the character of the fictitious poet Psyche becomes real in the\u00a0same kind of network of narrative and performative talking acts, as the identity\u00a0of any real people. Thus, the comprehensive reading but also the hermeneutic\u00a0nature of sense creation is the concomitant of writing and the constant and\u00a0necessary activity of dependence on this.<\/p><\/blockquote>\n<p><a href=\"http:\/\/www.partitura.fss.ukf.sk\/wp-content\/uploads\/2014\/09\/2014_1_molnar_csilla.pdf\"><strong>Whole issue<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Csilla Moln\u00e1r IN:\u00a0Partit\u00fara Irodalomtudom\u00e1nyi foly\u00f3irat, Volume: IX. \u00a0, Issue 1, 2014, p. 89-100,\u00a0ISSN 1336-7307 DOI:\u00a010.17846\/PA.2014.9.1.89-100 [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages\/719"}],"collection":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=719"}],"version-history":[{"count":5,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages\/719\/revisions"}],"predecessor-version":[{"id":1696,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages\/719\/revisions\/1696"}],"wp:attachment":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=719"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}