{"id":878,"date":"2016-03-10T10:48:48","date_gmt":"2016-03-10T10:48:48","guid":{"rendered":"http:\/\/www.partitura.fss.ukf.sk\/?page_id=878"},"modified":"2019-12-09T08:10:30","modified_gmt":"2019-12-09T08:10:30","slug":"kez-es-lab-nelkuli-kolteszet-weores-sandor-oravecz-imre-es-simon-marton-rovidversei-egysorosok-ketsorosok-polaroidok","status":"publish","type":"page","link":"http:\/\/www.partitura.fss.ukf.sk\/?page_id=878","title":{"rendered":"K\u00e9z \u00e9s l\u00e1b n\u00e9lk\u00fcli\u201d k\u00f6lt\u00e9szet. We\u00f6res S\u00e1ndor, Oravecz Imre \u00e9s Simon M\u00e1rton r\u00f6vidversei (egysorosok, k\u00e9tsorosok, polaroidok)"},"content":{"rendered":"

Z\u00e1mb\u00f3 Bianka<\/h3>\n

IN:\u00a0<\/strong>Partit\u00fara Irodalomtudom\u00e1nyi foly\u00f3irat, X. \u00e9vfolyam, 2. sz\u00e1m, 2015, 41-60. oldal, ISSN 1336-7307<\/p>\n

DOI:\u00a0<\/strong>10.17846\/PA.2015.10.2.41-60<\/p>\n

Absztrakt<\/strong><\/p>\n

A tanulm\u00e1ny a m\u0171fajk\u00e9nt t\u00e9telezett r\u00f6vidvers, vagy m\u00e1s megk\u00f6zel\u00edt\u00e9sben a kontextus n\u00e9lk\u00fcli, illetve dekontextualiz\u00e1lt k\u00f6lt\u00e9szeti hagyom\u00e1ny magyar l\u00edrat\u00f6rt\u00e9neti tov\u00e1bb\u00e9l\u00e9s\u00e9nek egy lehets\u00e9ges, a k\u00e9s\u0151modernt\u0151l a posztmodernbe tart\u00f3 ir\u00e1nyvonal\u00e1t vizsg\u00e1lja We\u00f6res S\u00e1ndor egysoros (1946, 1960), Oravecz Imre H\u00e9j c\u00edm\u0171 k\u00f6tet\u00e9nek (1972) k\u00e9tsoros \u00e9s Simon M\u00e1rton Polaroidok c\u00edm\u0171 k\u00f6tet\u00e9nek (2013) sz\u00e1mozott versein kereszt\u00fcl. A vizsg\u00e1lt sz\u00f6vegkorpuszok olyan l\u00edrai r\u00f6vidform\u00e1kat tartalmaznak, amelyeknek a k\u00f6lt\u00e9szetelm\u00e9letben nincs egys\u00e9ges elnevez\u00e9se, s ez\u00e9rt jobb\u00e1ra a r\u00f3luk val\u00f3 gondolkod\u00e1s is megmaradt az \u00e9letm\u0171vek hat\u00e1rain bel\u00fcl. A tanulm\u00e1ny el\u0151sz\u00f6r az eml\u00edtett verscsoportok recepci\u00f3j\u00e1val foglalkozik, majd a r\u00f6vidvers m\u0171faji saj\u00e1toss\u00e1gait \u00e9s az azok r\u00e9v\u00e9n felvet\u0151d\u0151 l\u00edraelm\u00e9leti \u00e9s l\u00edrat\u00f6rt\u00e9neti k\u00e9rd\u00e9seket j\u00e1rja k\u00f6r\u00fcl, v\u00e9g\u00fcl az eml\u00edtett versciklusok, illetve k\u00f6tetkompoz\u00edci\u00f3k nyelvi-po\u00e9tikai szempont\u00fa \u00f6sszehasonl\u00edt\u00f3 vizsg\u00e1lat\u00e1val \u00e9s hat\u00e1st\u00f6rt\u00e9neti kapcsolatrendszer\u00fck felt\u00e1r\u00e1s\u00e1val foglalkozik.<\/p><\/blockquote>\n

Teljes sz\u00f6veg<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Z\u00e1mb\u00f3 Bianka IN:\u00a0Partit\u00fara Irodalomtudom\u00e1nyi foly\u00f3irat, X. \u00e9vfolyam, 2. sz\u00e1m, 2015, 41-60. oldal, ISSN 1336-7307 DOI:\u00a010.17846\/PA.2015.10.2.41-60 […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages\/878"}],"collection":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=878"}],"version-history":[{"count":8,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages\/878\/revisions"}],"predecessor-version":[{"id":1540,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/pages\/878\/revisions\/1540"}],"wp:attachment":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=878"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}