{"id":1132,"date":"2017-01-18T09:26:17","date_gmt":"2017-01-18T09:26:17","guid":{"rendered":"http:\/\/www.partitura.fss.ukf.sk\/?p=1132"},"modified":"2019-12-09T08:22:08","modified_gmt":"2019-12-09T08:22:08","slug":"partitura-20162","status":"publish","type":"post","link":"http:\/\/www.partitura.fss.ukf.sk\/?p=1132","title":{"rendered":"Partit\u00fara 2016\/2"},"content":{"rendered":"<p><strong>Volume: XI. \u00a0Issue<\/strong><strong>: 2, 2016<\/strong><\/p>\n<p><a href=\"http:\/\/www.partitura.fss.ukf.sk\/wp-content\/uploads\/2017\/04\/Cimlap-2016_2.pdf\">Title page<\/a><\/p>\n<p><a href=\"http:\/\/www.partitura.fss.ukf.sk\/wp-content\/uploads\/2017\/04\/elulso_impresszum_2016_2.pdf\">Front imprint<\/a><\/p>\n<p><a href=\"http:\/\/www.partitura.fss.ukf.sk\/wp-content\/uploads\/2017\/04\/partitura2016_2_teljes_szam.pdf\">Whole issue<\/a><\/p>\n<p>&nbsp;<\/p>\n<h1><strong>Content:<\/strong><\/h1>\n<p><a href=\"http:\/\/www.partitura.fss.ukf.sk\/?page_id=1134&amp;lang=en\"><strong>The Functional Shift of Hybrid Genres in Modern Literature<\/strong><\/a><br \/>\n<em>L\u00e1szl\u00f3 Bengi<\/em><br \/>\npage 3-12.<\/p>\n<p><a href=\"http:\/\/www.partitura.fss.ukf.sk\/?page_id=1137&amp;lang=en\"><strong>Sindbad, the fl\u00e2neur of provincial towns<\/strong><\/a><br \/>\n<em>Kl\u00e1ra \u00c1gnes Papp<\/em><br \/>\npage 13-30.<\/p>\n<p><a href=\"http:\/\/www.partitura.fss.ukf.sk\/?page_id=1139&amp;lang=en\"><strong>Hidden operettas in a novel<\/strong><\/a><br \/>\n<em>Eszter Tarj\u00e1nyi<\/em><br \/>\npage 31-50.<\/p>\n<p><a href=\"http:\/\/www.partitura.fss.ukf.sk\/?page_id=1141&amp;lang=en\"><strong>Private Universes II. A metaphysics of a world disappearing into infinity<\/strong><\/a><br \/>\n<em>Patrik Baka L.<\/em><br \/>\npage 51-72.<\/p>\n<p><a href=\"http:\/\/www.partitura.fss.ukf.sk\/?page_id=1143&amp;lang=en\"><strong>Intersection of genre traditions in the works of Csilla Kleinheincz<\/strong><\/a><br \/>\n<em>Veronika S\u00e1tor<\/em><br \/>\npage 73-100.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Volume: XI. \u00a0Issue: 2, 2016 Title page Front imprint Whole issue &nbsp; Content: The Functional [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":1092,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[13],"tags":[],"_links":{"self":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/posts\/1132"}],"collection":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1132"}],"version-history":[{"count":9,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/posts\/1132\/revisions"}],"predecessor-version":[{"id":1727,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/posts\/1132\/revisions\/1727"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/media\/1092"}],"wp:attachment":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1132"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1132"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1132"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}