{"id":2471,"date":"2012-09-07T10:37:09","date_gmt":"2012-09-07T10:37:09","guid":{"rendered":"http:\/\/www.partitura.fss.ukf.sk\/?p=2471"},"modified":"2019-12-09T08:22:09","modified_gmt":"2019-12-09T08:22:09","slug":"partitura-2012-1-2","status":"publish","type":"post","link":"http:\/\/www.partitura.fss.ukf.sk\/?p=2471","title":{"rendered":"Partit\u00fara 2012\/2"},"content":{"rendered":"

Volume VII. \u00a0<\/strong>Issue 2, 2012<\/strong><\/p>\n

 <\/p>\n

Title page and front imprint<\/a><\/p>\n

Whole issue<\/a><\/p>\n

 <\/p>\n

Content:<\/strong><\/h1>\n

Az irodalmi esem\u00e9nyr\u0151l (\u00e9s Kosztol\u00e1nyi Dezs\u0151 Pesztra<\/em> c\u00edm\u0171 novell\u00e1j\u00e1r\u00f3l)<\/strong><\/a>
\n\u00c1rp\u00e1d Kov\u00e1cs<\/em>
\npage 3-25<\/p>\n

\u201e…csakugyan egy k\u00f6nyvben vagyunk…\u201d<\/strong><\/a>
\nKriszti\u00e1n Benyovszky<\/em>
\npage 27-33<\/p>\n

Sz\u00f3 \u00e9s sz\u00f6veg viszonya G\u00e1rdonyi pr\u00f3z\u00e1j\u00e1ban<\/strong><\/a>
\nG\u00e1bor Kov\u00e1cs<\/em>
\npage 35-52<\/p>\n

A nem \u00e9rt\u00e9s mesterkurzusa. A vonz\u00e1s szab\u00e1lyai<\/em><\/strong><\/a>
\nP\u00e9ter Fodor – P\u00e9ter L. Varga<\/em>
\npage 53-69<\/p>\n

M\u00e9deia-v\u00e1ltozatok<\/strong><\/a>
\nM\u00e1rta Nagy<\/em>
\npage 71-102<\/p>\n

Fikci\u00f3k\u00e9pz\u0151 aktusok Michael Ende A V\u00e9gtelen T\u00f6rt\u00e9net c\u00edm\u0171<\/em> reg\u00e9ny\u00e9ben<\/strong><\/a>
\nCsilla B. Moln\u00e1r<\/em>
\npage 103-124<\/p>\n

Egy b\u00f6d\u00f6n, egy b\u0151r\u00f6nd, egy b\u00f6rt\u00f6n\u2026 A szubjektum felold\u00f3d\u00e1sa Esterh\u00e1zy P\u00e9ter Hahn-Hahn gr\u00f3fn\u0151 pillant\u00e1sa<\/em> c\u00edm\u0171 \u00fati reg\u00e9ny\u00e9ben<\/strong><\/a>
\nAttila Merva<\/em>
\npage 125-131<\/p>\n

A m\u00e1rv\u00e1ny \u00e9n vagyok. Faludy Gy\u00f6rgy k\u00f6lt\u00e9szet\u00e9nek queer aspektusai<\/strong><\/a>
\nZolt\u00e1n Csehy<\/em>
\npage 133-154<\/p>\n

Milyen korban? H\u00e9tk\u00f6znaPI CSAl\u00f3d\u00e1sok: Szabad a p\u00e1lya<\/em><\/strong><\/a>
\nM\u00e1rton Solt\u00e9sz<\/em>
\npage 155-161<\/p>\n","protected":false},"excerpt":{"rendered":"

Volume VII. \u00a0Issue 2, 2012   Title page and front imprint Whole issue   Content: […]<\/p>\n","protected":false},"author":5,"featured_media":2830,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[13],"tags":[],"_links":{"self":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/posts\/2471"}],"collection":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2471"}],"version-history":[{"count":19,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/posts\/2471\/revisions"}],"predecessor-version":[{"id":2802,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/posts\/2471\/revisions\/2802"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/media\/2830"}],"wp:attachment":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2471"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2471"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2471"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}