{"id":4193,"date":"2026-06-15T17:52:48","date_gmt":"2026-06-15T17:52:48","guid":{"rendered":"http:\/\/www.partitura.fss.ukf.sk\/?p=4193"},"modified":"2026-06-15T18:08:58","modified_gmt":"2026-06-15T18:08:58","slug":"partitura-2025-2-2","status":"publish","type":"post","link":"http:\/\/www.partitura.fss.ukf.sk\/?p=4193","title":{"rendered":"Partit\u00fara 2025\/2"},"content":{"rendered":"

Volume XX. Issue 2, 2025<\/strong><\/p>\n

 <\/p>\n

Title page<\/a><\/p>\n

Front imprint<\/a><\/p>\n

Whole issue<\/a><\/p>\n

 <\/p>\n

Content:<\/strong><\/h1>\n

Jel\u00f6letlen id\u00e9zet, all\u00fazi\u00f3, alleg\u00f3ria
Diszkurz\u00edv hat\u00e1r\u00e1tl\u00e9p\u00e9sek Medbh McGuckian k\u00e9t korai vers\u00e9ben<\/strong><\/a>
\nLeila Pint\u00e9r<\/em>
\npage 3-24.<\/p>\n

Sartre a b\u00e9ket\u00e1borban
Az egzisztencialista irodalom recepci\u00f3ja Magyarorsz\u00e1gon az 1950-es \u00e9vekben<\/strong><\/a>
\nZolt\u00e1n Papp<\/em>
\npage 25-44.<\/p>\n

\u201eA sartre-i eredet\u201d: Sartre hat\u00e1sa Fredric Jameson filoz\u00f3fiai gondolkod\u00e1s\u00e1ra<\/em><\/strong><\/a>
\nAdri\u00e1n Bene<\/em>
\npage 45-60.<\/p>\n

Az elhallgat\u00e1s viszonyterei transzkultur\u00e1lis kontextusban
(Tompa Andrea: Sokszor nem halunk meg<\/em>)<\/strong><\/a>
\n\u00c9va B\u00e1nyai<\/em>
\npage 61-68.<\/p>\n

\u201eA tekintet besz\u00e9dd\u00e9 akar v\u00e1lni\u201d
Az arc jelent\u0151s\u00e9g\u00e9r\u0151l Visky Andr\u00e1s Kitelep\u00edt\u00e9s<\/em> c\u00edm\u0171 reg\u00e9ny\u00e9ben<\/strong><\/a>
\nDorottya Sz\u00e1vai<\/em>
\npage 69-82.<\/p>\n

Kieg\u00e9sz\u00edt\u00e9s Gr\u00e1fik Imre Tud\u00e1s elsaj\u00e1t\u00edt\u00e1s a verbalit\u00e1s \u00e9s vizualit\u00e1s jegy\u00e9ben c\u00edm\u0171 tanulm\u00e1ny\u00e1hoz (Partit\u00fara, 2024\/1., 63\u201385.)<\/strong><\/a>
\npage 83-84.<\/p>\n","protected":false},"excerpt":{"rendered":"

Volume XX. Issue 2, 2025   Title page Front imprint Whole issue   Content: Jel\u00f6letlen […]<\/p>\n","protected":false},"author":5,"featured_media":4197,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[12],"tags":[],"_links":{"self":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/posts\/4193"}],"collection":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4193"}],"version-history":[{"count":8,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/posts\/4193\/revisions"}],"predecessor-version":[{"id":4217,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/posts\/4193\/revisions\/4217"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/media\/4197"}],"wp:attachment":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4193"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4193"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}