{"id":748,"date":"2013-09-29T08:41:03","date_gmt":"2013-09-29T08:41:03","guid":{"rendered":"http:\/\/www.partitura.fss.ukf.sk\/?p=748"},"modified":"2019-12-09T08:22:09","modified_gmt":"2019-12-09T08:22:09","slug":"partitura-20132","status":"publish","type":"post","link":"http:\/\/www.partitura.fss.ukf.sk\/?p=748","title":{"rendered":"Partit\u00fara 2013\/2"},"content":{"rendered":"<p><strong>Volume: VIII. Issue: 2, 2013<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/www.partitura.fss.ukf.sk\/wp-content\/uploads\/2013\/09\/2013_2_cimlap.pdf\">Title page and front imprint<\/a><\/p>\n<p><a href=\"http:\/\/www.partitura.fss.ukf.sk\/wp-content\/uploads\/2013\/09\/2013_2_teljes_szam.pdf\">Whole issue<\/a><\/p>\n<p>&nbsp;<\/p>\n<h1><strong>Content:<\/strong><\/h1>\n<p><a href=\"http:\/\/www.partitura.fss.ukf.sk\/?page_id=750&amp;lang=en\"><strong>The Patriarchal Bard\u00a0Feminist Criticism and Shakespeare: King Lear and Measure for Measure<\/strong><\/a><br \/>\nKathleen McLuskie<br \/>\npage 3-22.<\/p>\n<p><a href=\"http:\/\/www.partitura.fss.ukf.sk\/?page_id=754&amp;lang=en\"><strong>Shakespeare and Feminism<\/strong><\/a><br \/>\n<em>Andrea Pusk\u00e1s<\/em><br \/>\npage 23-42.<\/p>\n<p><a href=\"http:\/\/www.partitura.fss.ukf.sk\/?page_id=757&amp;lang=en\"><strong>The Magyar M\u0171hely (Hungarian Workshop) and the Emigration<\/strong><\/a><br \/>\n<i>Szilvia Sz. Moln\u00e1r<\/i><br \/>\npage 43-74.<\/p>\n<p><a href=\"http:\/\/www.partitura.fss.ukf.sk\/?page_id=761&amp;lang=en\"><strong>\u201eMy mental\u2019s based on instrumental records\u201d An attempt to define rap<\/strong><\/a><br \/>\n<em>Kriszti\u00e1n B\u00edr\u00f3<\/em><br \/>\npage 75-90.<\/p>\n<p><a href=\"http:\/\/www.partitura.fss.ukf.sk\/?page_id=764&amp;lang=en\"><strong>The Singer and the Singing\u00admaster The \u201ecollective soul\u201d in the Poetry of Alad\u00e1r Koml\u00f3s and in his J\u00f3zsef Kiss\u00adportraits<\/strong><\/a><br \/>\n<em>Anik\u00f3 Polg\u00e1r<\/em><br \/>\npage 91-98.<\/p>\n<p><a href=\"http:\/\/www.partitura.fss.ukf.sk\/?page_id=767\"><strong>The Face of the Mute Madman\u00a0The Poems of Alad\u00e1r Koml\u00f3s in the Hungarian Anthologies Published in\u00a0Slovakia<\/strong><\/a><br \/>\n<i>Zolt\u00e1n Csehy<\/i><br \/>\npage 99-108.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Volume: VIII. Issue: 2, 2013 &nbsp; Title page and front imprint Whole issue &nbsp; Content: [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":771,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[13],"tags":[20],"_links":{"self":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/posts\/748"}],"collection":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=748"}],"version-history":[{"count":10,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/posts\/748\/revisions"}],"predecessor-version":[{"id":2281,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/posts\/748\/revisions\/2281"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=\/wp\/v2\/media\/771"}],"wp:attachment":[{"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=748"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=748"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.partitura.fss.ukf.sk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=748"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}