„Impossible as a lyrical space”. About the lyrical spaces of Lorand Gaspar and János Pilinszky

Dorottya Szávai

IN: Partitúra Irodalomtudományi folyóirat, Volume: XI. , Issue 1, 2016, p. 73-88., ISSN 1336-7307

DOI: 10.17846/PA.2016.11.1.73-88

Absztrakt:

The object of my essay is the lyrical and translatical oeuvre of Lorand Gaspar, which is a unique phenomenon in the western Hungarian migrant literature. Gaspar, who’s oeuvre – in spite of he was a Hungarian migrant – was unfolded in French, in a Francophile agent. This oeuvre constitutes exemplary cases of the intercultural replacement processes and the cultural code-switching. including other theories, in my train of thought i am leaning on the theories of the tournure spatiale. One of my key-questions is that how could be find the signs of the Hungarian literature in the French cultural agent in the Gaspar oeuvre? To show this, the most perfect and most evident example is the realitonship with János Pilinszky and his poetry, which also includes the problem of translation.

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Partitúra is a Hungarian literary journal published in Slovakia twice a year. The first edition was issued in 2006. From 2007 to 2014 its publishers were the Faculty of Central European Studies at The Constantine the Philosopher University in Nitra in cooperation with Sambucus Literary Society. Since 2014 the Faculty of Central European Studies at the CPU in Nitra became the sole publisher.

The journal releases peer-reviewed scientific articles, literary studies and art reviews of both Hungarian as well as world literature. It is also a forum for essays on several other arts and intercultural relations. Furthermore, special attention is devoted to the Central European literature and literary studies; the magazine not only publishes the reviews of such studies, but also provides the arena for reflections about them. The journal aims to give an account of the contemporary Hungarian literature of the Hungarian minorities as well as to serve as a cluster for discourses.

As for the structure of the paper, it is usually divided into three main sections. The first part generally deals with the translation of an important foreign abstract literary study. It is followed by the heading of Scientific Studies and the Columns of Critical Analysis. Partitúra regularly publishes thematic abstracts by authors, genres, as well as a literary and artistic phenomenon in focus.