Ágnes Klára Papp
IN: Partitúra Irodalomtudományi folyóirat, Volume XV. , Issue 2, 2020, p. 89-100., ISSN 1336-7307
DOI: 10.17846/PA.2020.15.2.89-100
Abstract:
This paper discusses a neglected aspect of Sándor Weöres’s work, its carnivalesque, grotesque motifs as exemplified by one of his poems. This piece of poetry is all the more suitable for this kind of interpretation as it can be considered the carnivalesque paraphrase of Dezső Kosztolányi’s „Hajnali részegség” (“Daybreak drunkenness”). Therefore such a comparative study can also elucidate carnival’s perception of the subject, time and the world, and contrast it with modernity’s approach.
Keywords: Mikhail Bakhtin, carnival, grotesque, modernity