Central Europe as a comparative issue: potentialities and approaches

Miloš Zelenka

IN: Partitúra Irodalomtudományi folyóirat, Volume: XII.  , Issue 1, 2017, p. 3-16., ISSN 1336-7307

DOI: 10.17846/PA.2017.12.1.3-16

Abstract:

The  paper focuses on defining Central Europe in terms of literary scholarship in view of the fact that Central Europe as a cultural and geographical area, or crossroads of the West and the East, evidences a changeable position of unstable centres, jointly with mingling ethnoses, cultures and religions. The territorial precept of mutual “tangibility”  prompted more intense communication and exchange of literary values, bringing about understanding as well as clashes of artistic traditions and poetics, standards and conventions. Whereas minimalist concepts use binary oppositions (we x they;  our x foreign; centre x periphery, etc.), which render this area as a specific region of small Slavonic and non-Slavonic nations between Germany and Russia, maximalist concepts are mainly axiological, viewing Central Europe as a complex of time-honoured ideas interconnected with the tradition of Latin Christianity. Hence the issues related to the literary study of Central European area concern enquiry into its ideologems, whether they can be examined at the level of genre, poetics and style, i.e. in literary structures proper. Some literary theoreticians presume that the Central European nature of interpoetical artefacts (such as certain timeless cultural models and constants) can be decoded in Central European variety of burlesque, irony, satire, cabaret, or post-modern fiction. Additionally, the paper summarises conforming and differing concepts of Central Europe in Slovak, Czech, Polish and Hungarian literary scholarship

 

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