„Glasstango” and „Satantiger” (László Krasznahorkai: Satantango, Béla Tarr: Satantango; Péter Rudolf: Glasstiger [Üvegtigris])

Csaba Horváth

IN: Partitúra Irodalomtudományi folyóirat, Volume: XII. , Issue 2, 2017, p. 61-74., ISSN 1336-7307

DOI: 10.17846/PA.2017.12.2.61-74

Abstract:

The essay focused on the alteration of the ethos of poverty from the late Kadar age till the post- communist era. This changing of paradigms is deeply rooted in the process of disintegration of traditional categories: tragedy and comedy. Based on László Krasznahorkai’s novel Satantango (1985) and its film adaptation directed by Béla Tarr (1994) on the one hand and Péter Rudolf ’s film comedy, Glasstiger (2001) on the other hand the goal is to compare the different kinds of representation of poverty in the last decades of Hungarian art.

Keywords: representation of poverty, deprivation, post-communist era, irony

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Partitúra is a Hungarian literary journal published in Slovakia twice a year. The first edition was issued in 2006. From 2007 to 2014 its publishers were the Faculty of Central European Studies at The Constantine the Philosopher University in Nitra in cooperation with Sambucus Literary Society. Since 2014 the Faculty of Central European Studies at the CPU in Nitra became the sole publisher.

The journal releases peer-reviewed scientific articles, literary studies and art reviews of both Hungarian as well as world literature. It is also a forum for essays on several other arts and intercultural relations. Furthermore, special attention is devoted to the Central European literature and literary studies; the magazine not only publishes the reviews of such studies, but also provides the arena for reflections about them. The journal aims to give an account of the contemporary Hungarian literature of the Hungarian minorities as well as to serve as a cluster for discourses.

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