The Ways of alétheia in Béla Hamvas’s Writings

Anikó Kurucz

IN: Partitúra Irodalomtudományi folyóirat, Volume: XII. , Issue 2, 2017, p. 85-102., ISSN 1336-7307

DOI: 10.17846/PA.2017.12.2.85-102

Abstract:

The aim of the paper is to reveal the philosophical and linguistic dimensions of the concept of alétheia, which has Greek and Christian origins. From this aspect it seems inevitable to comparise the concept of the truth in Heidegger and Hamvas. Inspite of the visible parallels, this concept has different organizations in the thinking horizon of the two authors. The alétheia in Hamvas – however it has an ontological status – becomes also the linguistic ground of the attitude to reality, and consequently, it forms the measure of his approach to poetry and his practice of writing.

Keywords: alétheia, Hamvas, Heidegger, imagination, realization, pass of the lighting process

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Partitúra is a Hungarian literary journal published in Slovakia twice a year. The first edition was issued in 2006. From 2007 to 2014 its publishers were the Faculty of Central European Studies at The Constantine the Philosopher University in Nitra in cooperation with Sambucus Literary Society. Since 2014 the Faculty of Central European Studies at the CPU in Nitra became the sole publisher.

The journal releases peer-reviewed scientific articles, literary studies and art reviews of both Hungarian as well as world literature. It is also a forum for essays on several other arts and intercultural relations. Furthermore, special attention is devoted to the Central European literature and literary studies; the magazine not only publishes the reviews of such studies, but also provides the arena for reflections about them. The journal aims to give an account of the contemporary Hungarian literature of the Hungarian minorities as well as to serve as a cluster for discourses.

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