Fantastic in Neil Gaiman’s works

Norbert Hegedűs

IN: Partitúra Irodalomtudományi folyóirat, Volume VIII. , Issue 1, 2013, p. 75-84 , ISSN 1336-7307

DOI: 10.17846/PA.2013.8.1.75-84

Abstract:

This paper analyzes the presence of fantastic in Neil Gaiman’s fiction. The first part uses Tzvetan Todorov’s The Fantastic: A Structural Approach to a Literary Genre to examine Gaiman’s works. The second part analyzes one particular story (Only the End of the World Again) through the mirror of contemporary criticism.

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Partitúra is a Hungarian literary journal published in Slovakia twice a year. The first edition was issued in 2006. From 2007 to 2014 its publishers were the Faculty of Central European Studies at The Constantine the Philosopher University in Nitra in cooperation with Sambucus Literary Society. Since 2014 the Faculty of Central European Studies at the CPU in Nitra became the sole publisher.

The journal releases peer-reviewed scientific articles, literary studies and art reviews of both Hungarian as well as world literature. It is also a forum for essays on several other arts and intercultural relations. Furthermore, special attention is devoted to the Central European literature and literary studies; the magazine not only publishes the reviews of such studies, but also provides the arena for reflections about them. The journal aims to give an account of the contemporary Hungarian literature of the Hungarian minorities as well as to serve as a cluster for discourses.

As for the structure of the paper, it is usually divided into three main sections. The first part generally deals with the translation of an important foreign abstract literary study. It is followed by the heading of Scientific Studies and the Columns of Critical Analysis. Partitúra regularly publishes thematic abstracts by authors, genres, as well as a literary and artistic phenomenon in focus.