Volume VI. Issue 2, 2011

Content:

Világító háromszög és hályog. A megismerés alakzatai Jókai Mór A lélekidomár és Ambrus Zoltán A gyanú c. művében
Edit Dömötör
page 3-16

Női reprezentációk a kortárs irodalmi adaptációkban. Társadalmi tekintet Csáth Géza Anyagyilkosság, Bodor Ádám A részleg című elbeszéléseiben és adaptációikban
Bori Györe
page 17-62

A „miserable brat”, a „nyegodnaja gyevcsonka” és a „nyomorult kölyök”. A magyar Lolita poétikája
Márton Soltész
page 63-83

Realizmus és mágia. Salman Rushdie: Az éjfél gyermekei (93 000)
Éva Vasko
page 85-113

„Mágikus realizmus” Talamon Alfonz, Bárczi Zsófia és Hunčík Péter műveiben
Gergő Rácz
page 115-135

Our profile

Partitúra is a Hungarian literary journal published in Slovakia twice a year. The first edition was issued in 2006. From 2007 to 2014 its publishers were the Faculty of Central European Studies at The Constantine the Philosopher University in Nitra in cooperation with Sambucus Literary Society. Since 2014 the Faculty of Central European Studies at the CPU in Nitra became the sole publisher.

The journal releases peer-reviewed scientific articles, literary studies and art reviews of both Hungarian as well as world literature. It is also a forum for essays on several other arts and intercultural relations. Furthermore, special attention is devoted to the Central European literature and literary studies; the magazine not only publishes the reviews of such studies, but also provides the arena for reflections about them. The journal aims to give an account of the contemporary Hungarian literature of the Hungarian minorities as well as to serve as a cluster for discourses.

As for the structure of the paper, it is usually divided into three main sections. The first part generally deals with the translation of an important foreign abstract literary study. It is followed by the heading of Scientific Studies and the Columns of Critical Analysis. Partitúra regularly publishes thematic abstracts by authors, genres, as well as a literary and artistic phenomenon in focus.