Az intermedialitás fogalmi megközelítései a művészettörténetben és a szemiotikában

Lili Boros

IN: Partitúra Irodalomtudományi folyóirat, Volume XIX. , Issue 1, 2024, page 21-28 , ISSN 1336-7307

DOI: 10.17846/PA.2024.19.1.21-28

Abstract:

The use of the art historical term of intermedia was closely connected with the wider use of mediums in fine art in the 1960s, with the expansion of medial boundaries. This often involved examining the appropriateness and functioning of the mediums. In my thesis, I examine the interweaving of art historical and semiotic methodology, the change in the use of sign types in visual arts, in order to outline the conceptual borders of intermediality. I find that semiotics is suitable for the division of signs in the direction of icon-index-symbol, the transition and change between sign
types (de- or reiconicization) and the interpretation of the phenomena of art history.

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Partitúra is a Hungarian literary journal published in Slovakia twice a year. The first edition was issued in 2006. From 2007 to 2014 its publishers were the Faculty of Central European Studies at The Constantine the Philosopher University in Nitra in cooperation with Sambucus Literary Society. Since 2014 the Faculty of Central European Studies at the CPU in Nitra became the sole publisher.

The journal releases peer-reviewed scientific articles, literary studies and art reviews of both Hungarian as well as world literature. It is also a forum for essays on several other arts and intercultural relations. Furthermore, special attention is devoted to the Central European literature and literary studies; the magazine not only publishes the reviews of such studies, but also provides the arena for reflections about them. The journal aims to give an account of the contemporary Hungarian literature of the Hungarian minorities as well as to serve as a cluster for discourses.

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